Published in The Dallas Morning News (April 17, 2009)
By LESLIE BRENNER / Restaurant Critic
Perry's, the 7-year-old Routh Street steakhouse, has changed its name. Faced with the threat of a lawsuit from a South Texas restaurant with a similar name, the owners decided to call theirs The Place at Perry's rather than spend a fortune in legal fees. My guess is that patrons won't care much: I'll bet they'll keep calling it Perry's, and keep coming back. For me, the name change seemed like just the occasion to see what (The Place at) Perry's is all about.
The narrow dining room is cozy and comfortable, with a clubby, classic feel and the kind of decor that never goes out of style. Leather booths, great for intimate conversation, line one wall; white-clothed tables are spaced far apart enough for privacy, yet close enough for an intimate feeling. It's masculine, but not steakhouse macho, with enough soft touches in the room that a glass of champagne to start off an evening feels right.
In any case, it's the kind of place where it would seem a crime not to have a drink first. Of course, you could go for a Scotch or a martini, but the house cocktail list is worth a look – if you can get one. (On one visit, it was happily offered; on the next, the waiter denied its existence.) The drinks are well-mixed, and you've got to love a place that features a Harvey Wallbanger.
Music is soft enough that conversation's easy, but the place is so dimly lighted at dinner that the over-40 set may have trouble reading the menu. That's OK: A waiter shows up with a penlight. Oh, maybe it's not just us old fogies – my under-21 guest needs it, too.
The menu offers much more than steaks and chops: Lobster tails come broiled, tempuraed or stuffed with crabmeat, and there are prawns and roast chicken and a whole specials menu with dishes like tilapia with Texas goat cheese and sun-dried tomato sauce, plus no end of funny surf 'n' turf spins. But honestly, none of it sounds half as good as the steaks and chops. A taste of flounder stuffed with crabmeat does little to change my mind: This is a place to order meat.
In that department, everything I tasted in two visits was terrific, from a 14-ounce New York strip to a 23-ounce cowboy rib eye to a 32-ounce Porterhouse, all prime. Order a steak medium-rare, and the waiter will explain that at Perry's, er, The Place at Perry's, that means a cool red center. If you're like me and dream of one that's between rare and medium-rare, that's perfect; and every steak was cooked exactly right on both visits. The prime cowboy rib eye had a particularly delicious tang and great sear, fantastic with the roasted shallot au jus.
How often do you order lamb or veal or pork at a steakhouse, then wind up wishing you had ordered a steak? Not a problem here. When one of my guests ordered the lamb, the double-cut domestic chops were tender, juicy and wonderfully lamb-y (but not gamy), served with a graceful rosemary demi-glace that didn't veer into scary, intense hotel-sauce territory.
But The Place isn't all about meat: Unlike at many great steakhouses, where starters and sides tend to be dull or even laughable, here chef-co-owner Travis D. Henderson II takes serious care with classic appetizers and salads. The shrimp cocktail's sauce had just the right zing of horseradish; the jumbo shrimp were sweet and perfectly cooked. The Caesar was crisply classic. Henderson's version of the blue cheese iceberg wedge was one of the best I've had, with hickory-smoked bacon, cooked to just crisp, and the rich, salty cheese perfectly balanced by red wine vinegar. Lovely.
Another night, escargots impressed. Rather than the old snails-in-their-shells-in-garlic-butter routine, these were luscious, plump snails simmered in a white-wine sauce with shallots, a bit of tomato and thin-sliced, barely cooked mushrooms. The half-lemon squeezable garnish added nothing; the dish was perfect as served. So delicious were they that we asked the waiter where they were from – were they locally raised, we wondered. He came back from the kitchen with the answer: "They're from Indonesia. The chef picked them up at Central Market."
Sides were mostly very good: rich sautéed mushrooms; a giant 1-pound baked potato, dressed tableside; cheddary mac 'n' cheese; earthy creamed spinach that, unlike most, was much more spinach than cream sauce. A few just missed: beautiful, thick steamed asparagus that was undercooked, au gratin potatoes drowning in cream and cheese.
Service was terrific for the most part, friendly, but not too; enthusiastic, but not to the point of silliness. Though the servers know the menu well, they tend not to be as familiar with the wine list, and oddly for a restaurant at this level, there is no sommelier. On both of my visits, though, when I asked if there were someone in the house who knew the list, the servers solicited the help of another waiter, who was happy to jump in with advice.
It's an eclectic, medium-size list that focuses on California, but also offers some interesting Old World selections, as well as a dozen reds by the glass, half a dozen whites and a few sparklers.
Desserts at The Place are a bit of a snooze. "Brown bag" apple pie sounded intriguing: "juicy, sweet, tart apple slices between a crunchy top crust and a flaky bottom crust baked in a paper bag." But it veered more toward the sweet than the juicy or tart. Key lime pie was fine, but ordinary.
Well, you could always skip it, and duck into the new lounge in back for an after-dinner single malt or cognac. After a great steak, that kind of dessert never disappoints.
Service – Friendly and knowledgeable, but The Place could use a sommelier. Atmosphere – Cozy, attractive, quiet steakhouse with white-clothed tables and leather booths
CLASS ACT:
Don't let the subdued,
sophisticated vibe fool you. The Place at Perry's, which bills
itself as a "classic Dallas dinner house,"
may offer upscale cuisine in a polished setting, but chef-owner Travis Henderson
isn't afraid to play the comfort-food card, offering
such down-home dishes as Southern-fried prime rib-eye
and macaroni and cheese alongside more upmarket
offerings like tuna tartare or a bone-in pork loin
chop with
roasted shallot jus.
Dimly lighted dining rooms boast oversize brown
leather banquettes and hardwood floors, creating
a rich but never oppressive ambience. On each table
sits a glass jar of olives; a slender condiment fork
serves as a visual clue that these serve-yourself
treats aren't intended as mere decoration.
SNIPS AND SNAILS:
Lump crab cakes ($12) featured
two delicate seafood discs kissed with a goodly amount
of red bell pepper
but otherwise mercifully filler-free. They made
a fine starter but weren't quite as impressive
as one of the evening's featured appetizers, sautéed
escargots ($10). Fat juicy snails, served with
thick slices of garlic toast,
were swimming in a garlicky white-wine broth with
meaty chunks of mushroom; the tender bites were simply
prepared and simply delicious.
SALAD DAZE:
A chopped house salad ($8) scored as many points
for presentation as for flavor. Minced bacon, blue cheese, boiled egg, mushroom
and onion were tightly molded into a compact disc
of concentrated bold tastes. Given the season,
we were skeptical when our waiter recommended a
special offering of heirloom tomatoes with buffalo
mozzarella ($18), but we were dutifully wowed by
the array of variously hued tomatoes, sliced and
fanned around a large platter with thick slabs
of mild, fresh-tasting cheese. We only wish his
description had included the dish's mammoth size
(easily enough to serve two) and corresponding
price tag.
SEEING RED (MEAT):
All the beef at The Place at Perry's is prime, and the 12-ounce
filet mignon ($35) we sampled was a near-perfect
specimen. Thick cut and velvet-textured, the sublime
meat practically oozed decadence. After tasting
the lush beef, it was hard to figure out what went
wrong with the double-cut lamb chops ($34). One
of the two modestly sized chops was OK: a little
gamy, but tender and juicy. The other, though cooked
to the requested medium-rare, was so dry and tough
we were left wondering if these two pieces of meat
could have come from the same animal.
SIDE EFFECTS:
Most entrees come with a choice
of potato or other side dish. An order of steak fries
appeared to be one giant spud
hewn into four giant wedges, golden crisp on the
outside, steaming and fluffy on the inside. Au
gratin potatoes were also served piping hot, laced
with bacon in an oniony cream sauce and topped
with a layer of molten cheddar cheese. Other options
include creamed spinach, steamed French cut green
beans with sautéed onions, and a port-simmered
blend of wild and domestic mushrooms.
CAKE WALK:
The dessert list returns to the realm of down-home
comfort foods, with meal-enders ranging from carrot
cake and pecan pie to an old-fashioned root beer
float and apple pie baked in a brown paper bag.
Chocolate fudge cake ($6) was as rich and moist
as any sweet tooth could hope for; we swore to take
just a bite, then promptly polished off the entire
slice.
POUR PERFORMANCE:
The far-reaching wine list roams the globe
in a variety of price points. Often-overlooked niceties include a selection
of ports and dessert wines, as well as nearly a
half-dozen reds, whites and champagnes available
by the half-bottle. There's also a good collection
of wines by the glass. A 2001 Franciscan Cabernet
($15 per glass) from Napa Valley paired well with
our steak, but the stemware left something to be
desired. A bigger bowl would have allowed the same
generous pour while permitting space for a little
aeration via swirling.
SERVE YOU WELL:
Service is top-notch. Our waiter was friendly without
being overly familiar, and he was intimately familiar
with the menu and preparations. Just as laudable
was the work by the skilled cadre of busboys who
kept water glasses filled and removed spent plates
in an impressive display of now-you-see-them, now-you-don't
unobtrusiveness.
The Place at Perry's serves only prime beef,
and while prime may at times seem interchangeable
with flame-proof saddle padding on the city's menus,
The Place at Perry's has the real thing both on paper and between
the lips. It's juicy, rich and infiltrated with
lusty silk that successfully straddles the razor-thin
line between feminine refinement and masculine
rusticity, never delving too far into either pocket.
Each bite is a fresh adventure in the annals of
beef-witted delight. Yet these gnaws are plump
with exquisitely balanced flavor, and therefore
rife with intelligence--the kind that fills your
mind with two-fisted poetry.
It's a given that a competent
service staff has a deft grip on the menu, and
The Place at Perry's is no exception. Yet steak generally doesn't
cause a strain on the culinary memory banks. What
does tax servers are the vagaries of people. The Place at Perry's
staff knows people. They know how to make them
feel at ease, how to serve without being a pest
(never interrupt a conversation to ask if everything
is OK), how to anticipate needs, how to meet them
without calling attention to the service protocol.
Skillful service is being in the forefront while
loitering in the background.
Hey, The Place at Perry's, are you ready
to run with the big boys-Al, Bob, Del, Pappas,
Chamberlain,
and Nick & Sam? And don't forget about that
femme fatale Ruth (Chris), who's proven she can
hang in there with the best of them.
In the macho world of "Big D" steakhouses,
where you eat what you kill, they are waiting in
the wings and ready to take you on.
So, what's goin' on so
far? With less than six months under your belt,
without much fanfare and
with great "word of mouth," everything
seems to be going swimmingly for you-so far, so
good. So, let's talk…
The Place at Perry's, one of the latest beef houses to hit
town, is livening up the corner of Cedar Springs
and
Routh Street. Vacant for the past year or so, and
former home to Ruggeri's Ristorante, the new spot
is serving up a diverse and so far a very commendable
beef and seafood menu.
The restaurant was named for the late philanthropic
father of silent partner, Bill Esping-Perry was
his Dad's middle name. Amie Bergus and Travis Henderson
are the proprietors.
Bergus and Henderson hooked up while she was operations
partner at Sam's Café/Canyon Café and
he was executive chef. Opening chef at Café Pacific
and executive chef positions at Newport's Seafood
and Hampton's Seafood are other highlights on Henderson's
culinary résumé. Both partners are
conspicuously present on-premise welcoming diners
six nights a week. Service here is a strong point.
So, The Place at Perry's, what else accounts for your solid beginning?
First and foremost, you're
serving "prime"-aged
for at least 21 days-meats. Filets (8- to 12-oz./$27
to $31), New York strips (12-16-oz./$27 to $30),
ribeye (14-oz./$25) porterhouse (22-oz./$32), and
a 14-oz. veal chop ($29) are main attractions.
And sous chef Jaime Corona, formerly of Ruth's
Chris Steak House, has the knack for grilling them.
We experienced the same crusty buttery exterior,
grilled to a soft moist-pink center with the filet.
The New York strip and double-cut domestic lamb
chops (16-oz./$29) are also worth going back for.
The rosemary spiked demi-glace with the chops is
proof of the kitchen's skill in the sauce department.
Henderson's seafood expertise
is evident on the menu, particularly with his
able rendition of an
evening special. Nine brown-hued medium-sized scallops
($22) were luscious and filling. Just as requested,
the meaty, inch-and-a-half sweet scallops were
sautéed to a pale beige center in a rich
salmon cream sauce-another winner from the saucier.
A simple side of tender emerald-green steamed broccoli
crowns was a good accompaniment.
Soups ($6 a bowl) and The Place at Perry's
magnum salad ($9) were also top notch. The intense
flavors of the
tomato and artichoke cream soup and the clam chowder
had all the appropriate flavors of their respective
ingredients-recognizable, which can be a dining
coup these days. My dining partner said, "it's
one of the best chowders," he's ever had.
The magnum salad-a toss of romaine, iceberg, and
baby lettuce with hearts of palm, asparagus, toasted
pecans, tomato, Maytag bleu cheese, and champagne
vinaigrette is ample for sharing and delicious.
The chopped cobb-style assortment delivered a forkful
of assorted pungent flavors with each bite.
Potato lovers, rejoice and get ready to indulge.
Some terrific renditions are on this menu. Mashed
potatoes ($5)-a creamy concoction of white truffle
oil, heavy cream, and Yukon Golds-and the au gratin
potatoes ($5), even creamier in their cheese and
butter sauce, were both impressive spud sides.
Never one to appreciate steak potatoes ($5), The Place at Perry's
thick Idaho strips were baked, then fried, delivering
soft centers with crisp exteriors-terrific.
Of the five desserts ($5 to $7) offered, gooey
chocolate cake filled with a warm fudge center
did the trick-a perfect finish.
About the setting: The rotunda-like, private-club
look to the entrance is stylish and sets the mood
of what's to come.
Inside, understated elegance awaits. Rich chocolate
brown, high-back leather banquettes offer semi-private
and some completely private tables. Lights that
women love, dim, make for even a cozier feel. The
dark woods, white tablecloths and a centrally located
bar, add a clubby dimension.
So, The Place at Perry's, what didn't we like?
Your initial $12 Grey Goose martini pour. After
some eyebrow raising, we saw the price come down
to a somewhat more reasonable $10 per drink on
a later visit.
A tricked up chicken fried
steak. The "southern" prime
chicken fried ribeye ($19) seemed too fine a cut
to waste with its way too thick and floury, battered
preparation.
With the oldest vintage
listed as 1996, a good, but immature wine list
was initially in place.
We were told it would be further developed in the
near future. A complex 1998 Stags Leap ($84) Cabernet,
with layers of chocolate and plums, did go well
with our beef entrée and chocolate dessert.
The booths on the right side of the restaurant
are not big enough to comfortably seat four, no
matter what ones shape or size. More comfort is
found in the ones near the bar.
No cappuccino machine.
Finally, The Place at Perry's, what will your future bring? Are
you ready for prime time?
By many accounts - the
much sought after word of mouth - it looks like
you are muscling your
way
in. On our last visit, we noticed numerous "bold
face name" types who had discovered the posh
new spot.
But keep in mine, in the life of a Dallas steakhouse,
it's a mile-run, not a 100-yard dash. You're
off to a great start - just keep on running.
Take
a good look. The Place at Perry's isn't your typical steakhouse. By Mark Stuertz
In many ways, The Place at Perry's is just
another steakhouse. The steakhouse formula has
been perfected for so long in the Dallas restaurant
crucible that it seems any competent restaurateur
can sleepwalk through the execution. The Place at Perry's dubs
itself a classic Dallas dinner house, which could
mean several things, from Black-eyed Pea to garish
French-continental.
Securing firm footing in the steakhouse genre,
The Place at Perry's has the dark wood paneling, the low light,
the central chandelier and the bar with cigars
and single malts. It has sides of asparagus,
creamed spinach and potatoes that can be had in
four different
versions--baked, mashed, fried and au gratin.
Yet it's just a little bit different, maybe even
eccentric, if you look hard enough. There is no
brass in the place, or at least not much. In addition
to the typical roster of steaks and chops, The Place at Perry's
offers a prime Southern-fried rib eye. You might
think it's weird to have something like this on
a menu that calls green beans haricot verts, but
frying prime steaks is getting to be trendy. I
just hope they don't start boiling them.
The Place at Perry's also offers beef
tips as an appetizer, which is strange for a
restaurant whose name doesn't
rhyme with "rubies." Roasted in a brandy-peppercorn
sauce, the tips come in a little boat surrounded
by crisp Parmesan crostini. These tips are tender
and rich accompanied by a sauce that is clean and
smooth with a flavor that didn't cloud the taste
of the meat.
The Place at Perry's booths have high backs that are finished
in chocolate-brown leather set off with fabric.
The backs are arched at the top, and the padding
and leather treatment are carried over to the wall.
If they would have put a leather top over it, The Place at Perry's
could have created the world's first padded dining
cell. Rows of booths are on raised carpeted platforms
that flank the central dining room. This long space
is handsome in that steakhouse sort of way that
makes you wish you had a smoking jacket and an
ascot. Yet somehow the dining room manages to skirt
the overt masculinity that tends to tease away
the appetite before the iceberg lettuce salad arrives.
With an arched ceiling and a hardwood floor, the
long room resembles a subway tube, albeit one with
attractive chandeliers instead of dirty lightbulbs.
The Place at Perry's exudes refined elegance with a corner
staircase at Routh and Cedar Springs leading up
to columns
holding up the awning. There are lights imbedded
in the stone floor of the entryway before you reach
the huge wooden doors. Big juicy steaks almost
always seem to call for big, dark woods. There
are even a few wine bottles scattered here and
there for display.
Unlike some steakhouses where things can seem
overdone, The Place at Perry's is understated. You can feel
the richness
of the ambiance, but it doesn't knock you over
the head with garish elegance. It also has a few
things that no other steakhouses have. For example,
there are jars of green olives on every table and
a tiny fork you can use to harpoon them. It would
have been a nice touch to include a spittoon or
an ashtray, as olive pits are hard to get out of
your inside jacket pocket after a few days. The Place at Perry's
also has this little wine-cork bulletin board near
the bathrooms along with a note pad and a writing
instrument so you can write little notes to people
just finishing up in the bathroom.
The steaks mimic this quirky elegance, though
not the quirks. The 12-ounce New York strip was
tender
and chewy without being grisly and fatty. Its graininess
was distinct and forward--pure meaty pleasure.
It was served with a moist baked potato the size
of a wrecking ball that was dressed at the table
with a choice of sour cream, butter, scallions,
bacon bits and cheese.
Seafood is equal to the red meat. Maybe that's
because in this case, it is red meat. Ahi tuna
steak, marinated in wasabi soy and dressed with
an orange ginger sauce, was silky and rich. This
meat was barely kissed by heat, which means the
center was a thick red band with a thin sliver
of taupe on the top and bottom--and this was the
second version. The Place at Perry's servers ask you to cut
into your meat when it's delivered while they hover
over you to make sure it's done to your specifications.
This is a difficult task in The Place at Perry's amber dim,
one that could be eased with a miner's helmet.
Anyway, the first versions of both the steer and
fish steaks were closer to dinghy well-done than
rosy-red jiggle. Once we informed our server that
the meats were not done to our specifications a
whole orchestration of obsequiousness was set into
motion, including rounds of apologies from various
servers, a visit from a manager, the removal of
a baked potato that was half eaten and replaced
with a new one and various offers to comp certain
elements of our dining experience. We held out
for a year's worth of free dinners for members
of our immediately family and ended up with a dessert
sampler.
Which wasn't a bad trade-off
actually. The Place at Perry's apple pie is simply brilliant.
The flavors are
distinct and rich without being mushed together
(you can actually pull out some apple tang). The
fudge cake is rich and moist while the crème
brûlée was topped with a warm crisp
lid covering cool rich custard.
The Place at Perry's meals are good at the beginning, too.
Tuna tartare is a lush appetizer with tiny glistening
red cubes heaped upon a wavy swirl of wasabi cream
sauce. Two pinches of Thai pepper paste flank the
tuna, and it's all mixed and stirred together at
your table just in front of a heap of rich tomato
and avocado on lettuce leaves. The toast points
were deliciously seasoned without being dry and
musty. Everything in this little orchestration
is fresh and clean. Simmered in wine, thyme, parsley
and garlic, the mussels are sweet and plump with
none of those off flavors that make you cringe
as they go down.
Servers are dressed in white shirts covered by
black aprons, and they are as graciously efficient
as they are thorough. They know the menu, and they're
quick with those little niceties--folding napkins
after you leave the table and offering tastes of
the day's soups--that make dining that much more
enjoyable. They've even nailed the wine service
ritual down with deftness, although the heavily
California-centric list is short on adventurousness.
We chose Gallo's Frei Brothers pinot noir (Russian
River), a rich complex drink with lots of lush
black cherry and hints of caramel. The fact that
it's available by the glass makes it doubly good.
This wine is good because it has the modesty to
work well with rich fish and the stamina to meet
a steak head-on.
We gave it a whirl with the rotisserie herb chicken,
a superbly well-seasoned half bird that was tender,
if a little dry. The side of mashed potatoes, deluged
with butter, was dense and creamy.
Mushroom soup worked well with that pinot, as
well. This thick soup was rich in earthy fungi
flavors
that were clean and forward and untrounced by aggressive
seasoning.
Perhaps the best cut of meat on the The Place at Perry's roster
is the double-cut lamb chops, spindles of Colorado-raised
lamb in rosemary demi-glace. The meat had everything
that's good about lamb--that unusual strain of
sweetness and the silky succulence--and none of
the drawbacks such as sharp gaminess and stringy
texture. The rosemary demi-glace was clean and
played well off the meat.
The Place at Perry's is a partnership
between Amie Bergus, chef Travis Henderson (Canyon
Café, Newport's,
Café Pacific) and businessman Bill Esping.
The Perry's Web site (www.perrys-dallas.com) says
that the restaurant was named after Esping's father,
Perry E. "Bill" Esping, who wanted to
frequent a restaurant with great food and great
service that made him feel like he owned the place.
For the most part, that's what The Place at Perry's is. I mean,
in how many other upscale restaurants can you leave
a personal note to someone coming out of the bathroom?
Admit it. You thought that The Place at Perry's
- a new Uptown steakhouse - was owned by local
hair maestro and all-around stylish gent Perry
Henderson. Sorry, you slaves to Aqua Net. Though
it wouldn't be such a bad idea. Just imagine starting
your evening with a warm spinach salad, followed
by a quick trim, some surf and turf, and end it
all with highlights and cheesecake. A tawny port
and a perm? Friends, it doesn't get much more Dallas
than that.
But, alas, The Place at Perry's doesn't do curl -n- dries. Instead,
it does steak and seafood exceedingly well in a
comfortable yet handsome setting. Co-owner Amie
Bergus named Perry's after Perry E. Esping, the
father of her business partner Bill Esping. Perry
was a man who longed to find a restaurant with
excellent food and service and that treated him
as if he owned the place.
Okay, that last part if from the restaurant's press
release, and normally I don't fall for such blatant
blather. But some of that PR hokum must have inspired
the staff at The Place at Perry's. From the valets to the waiters
to the waterboys, these people are nice. Really
nice. On our first visit, not one, not two, but
four hostesses greeted us, helped us off with our
coats, and showed us to the bar while our table
was being prepared. Though the house was packed,
the hostess asked if we preferred a table or a
booth - highly unusual for 8:30 on a Saturday night.
If given the choice, take the high-back leather
booths. They're intimate, comfy, and keep noise
level to a mild roar.
The Place at Perry's resides in the old Ruggeri's spot, and
they've transformed it into a manly charmer, full
of sophistication minus the pretense. The space
is small, but a vaulted ceiling in the center dining
area keeps The Place at Perry's from feeling constrained. Warm
tan walls, oil table lights, and subdued lighting
add to the intimate appeal.
Much like The Place at Perry's itself, the menu reflects everything
a classic steakhouse should be. It's all here:
shrimp cocktail, blue cheese iceberg salad, New
York strip, and creamed spinach. There's nothing
particularly surprising about co-owner/executive
chef Travis Henderson's offerings. Of the appetizers,
we adored the spinach and Parmesan spread topped
with warm tomatoes. It's a dish you can get at
almost any chain restaurant, just not done as well
as Perry's soothing version. Thick-cut onion rings
and crab cakes were also delicious. But the most
intriguing starter - beef tips roasted in brandy-peppercorn
sauce - was a bit tough.
Perhaps the most startling menu item was a salad
- not for originality but for sheer volume. Aptly
named The Place at Perry's Magnum, this behemoth is laden with
tomatoes, hearts of palm, asparagus, toasted pecans,
Maytag blue cheese, various greens, and champagne
vinaigrette. It's hard not to like a common salad
so hearty and full of flavor. The other choices
- Caesar, spinach, blue cheese iceberg and beefsteak
tomato with mozzarella - are typical steakhouse
fodder, though fine fodder they are.
One of the most popular entrée
choices is, unfortunately, my least favorite: the
Southern-fried
rib-eye. True, it's a Texas tradition to deep fry
meats and slather them in gravy. The problem with
a rib-eye is that it doesn't have the grit to hold
up under heavy breading and a ladle of thick, cream
gravy. The Place at Perry's chicken-fry is an admirable piece
of work - crisp and peppery - but the meat is all
wrong.
Nothing was wrong, however,
with the prime filet mignon. Juicy, flavorful,
and 12 ounces, it was
a memorable cut, as were the double-cut lamb chops,
property charred and sweetened by rosemary demi-glaze.
The lamb was a tad tough but the bold flavor overcame
its shortcomings. Of the seafood selections, French-fried
prawns were the table favorite, though the accompanying
side of fried potatoes disappointed: three enormous,
dull, doughy planks. A better side would have been
haricots verts with sautéed onions or roasted
mushrooms simmered in port with garlic. Of course,
in true steakhouse sense, sides are sold a la carte.
On the other hand, bucking the steakhouse trend,
The Place at Perry's wine list is sensible, offering everything
from pricey Opus One to reasonable Sterling reds.
And its by-the-glass options are deep and plentiful.
It makes it that much easier to raise a glass
to Perry - whomever he may be - and toast his steakhouse.
It's upscale yet relaxed and hospitable from
first
to last course.
High Steak
Stakes: Amie Bergus beats the boys at their own red-meat
game with
the refined The Place at Perry's By June Naylor
Restaurateur Amie Bergus is one
of the few women in Dallas playing a guys' game,
but she's doing it as well as - if not better than
- her male competitors. Bergus is co-owner of a
new, swanky shrine to great steaks, and she manages
to give it a pretty touch.
Most of the fabulous Dallas beef palaces are masculine
to the core, but The Place at Perry's, which Bergus opened
late last year, includes thoughtful elements that
told
me a woman was involved. Wood floors mix with
carpet to make the restaurant more quiet than most,
and
intimacy is found in booths with curved, high
backs.
On each table is a serve-yourself jar of olives,
with dainty condiment forks. It seems like
something a woman would think of.
With her co-owner and executive chef, Travis
Hernderson, Bergus has wrought an elegant,
hearty menu that
will easily snag a good balance of male and
female diners. Like most restaurants of this
genre,
The Place at Perry's prices are suited to diners who like
to spend lavishly
on meals.
My evening at The Place at Perry's started off with a
lovely bowl of mussels ($8), which my dinner
guest
pronounced as good as any she's had on
many trips to Belgium.
Roasted and served in a pool of broth with
lemon, garlic, wine and fresh sprigs of
thyme, these
were as meaty and plump as could be. A
good accompaniment was the Caesar salad ($6),
which bore just the
right balance of garlic, lemon, romano
cheese and
anchovy.
Our entrees bordered on perfection. The
thick, juicy piece of Chilean Sea Bass
($26) was
coated in crunchy panko (Japanese bread
crumbs), sauteed
and glazed in a friendly blend of asian
chiles and sugar. The steamed broccoli,
which we
subbed for the proffered potatoes, was
pretty and
crisp, yet oddly devoid of flavor.
Big enough for two meals, the veal chop
($32) was exceptionally tender - if
rather fatty
on one side.
It's fresh rosemary flavor was lovely,
and the side of roasted wild and button
mushrooms
($7),
which were laced in olive oil, port
wine, garlic, onion and perhaps a dash of cayenne,
enthralled
us.
The latter entrees were well complemented
by a glass of Stonesteet Cabernet
($13), a rich
1997
vintage from the Alexander Valley.
The Place at Perry's, I should note, is particularly
dark, which makes romantics happy.
Bergus, ever
the smart proprietor,
thinks of everyone: her servers
always have a pen light at the ready.